Parade of Hearts…It’s all about building a home and caring community through art.
For more than 100 years, Kansas City has laid claim to America’s Heartland. The Heart of America has been displayed in the form of railroad pins, at civic events, on t-shirts, to the uniforms of the legendary Monarchs Negro League Baseball Team who sported the KC heart on their uniforms. And currently, the KC heart is used as our region’s icon.
From April to August, communities from across the Kansas City region will show the world why we are known as America’s Heartland and why we have the biggest hearts. We’ve fabricated 5′ heart sculptures and asked local artists to design them to create an unprecedented art experience rooted in hope and unity.
Confluence: Where Many Paths Found Home by Jessica Waters
The Front : Symbols and Meaning
The front represents the merging of land, people, waters and trails that formed and continue to form Kansas City. The diversity of the people in our city of all cultures are represented merging into the rolling hills and lush greenways and fields that are a part of our abundant land, where once the Shawnee, Wyandotte, Osage, Kickapoo, Potawatomi and numerous other tribes were caretakers and the sacredness of earth, water, fire and air where part of their medicine and spiritual practice, just as they are today. The confluence of the Kaw and the Missouri as well as of two cities in two different states that share an invisible dividing line are seen throughout. The power of the river that is essential to our life, crops, and future is predominant. The exterior foliage consists of a combination of wild sage and native plants to the area. The heart in the center, proclaims that these paths of the Santa Fe, Oregon and California trails, as well as others lesser known, are visible across the rollings hills and rivers, has brought us all here at some point, to home.
The Back: Symbols and Meaning
Turtle Island…
Turtle Island is the Indigenous name for the land we live on here in North America. The spirals represen the spirit, life, evolution. The red dots represent the spirits of our ancestos and the “red road” of living a good and honorable life. The baby turtle in the middle represents us, infants on this planet and all the colors in the babies spiral represent the many trials, travels and paths we walk in this life. Each green piece of the shell represents the 13 months of the original calendar, 13 moons. The border colors represent the great medicine wheel, that represents all the wisdom of the universe.
The Base
The base honors the land and water that provides us sustanance and life as well as fun. The giant feathers in the middle are to honor the origin peoples of this land: The Osage, Hopewell, Shawnee,Wyandotte, Patowatomie, Pawnee. The dots and dashes represent trails of stitches that unite us to the land and the many paths that our ancestors traveled to find this place we call home. The entire frame of the heart's colors, white, black, yellow and red, are the colors of the Medicine Wheel and 4 Sacred Directions. On both sides, the underlayer of paint is a Medicine Wheel, the foundation of all things and knowledge.
The story of my heart, Confluence, is the true story of , well, my heart. My grandmother Angie and her Native ancestry in the migration and assimilation of her grandparents, of the Eastern Cherokee, Osage and Anishinabe loved the land and the water growing up in Hattie, MO, a town they created in the Missouri Ozarks. Her mother had been taught by her grandmother to assimilate and never share their Native heritage after she was shot in the eye for being an Indian. Migrating from North Carolina and Kentucky they moved into “Indian Territory” with the Osage and Sac and Fox in Kansas where they lived as farmers before her mother, whose family was heavily Quaker, sent her to Missouri to live with a family friend, who would become her husband.
He was of Grand River Band Ottawa and Chippewa lineage and had, in my opinion, found the ultimate solution to the then land grabs, as a mixed Native person. He and his father, claimed homestead land in Missouri. The irony, it was a shoot Indian on sight state at the time. Hattie would become the home my grandmother lived and grew up in, farming, fishing and navigating floods of the Jack’s Fork River. Her father was the postmaster and after he died unexpectedly, her mother became postmistress, all from their little bedroom in the house they built. Grandma Angie came to the city, Kansas City, for a better life and jobs, and here she met her husband, my grandfather, Henry Zahn. Henry, Heintz, had a different origin story. He came to Kansas City via Ellis Island when they immigrated from Germany in 1923 after the Beer Hall Putsch where Hilter really began to become a dangerous force attempting to throw a coupe on the then German military heads. Henry, became a fine arts illustrator after first learning English and engaging in his lineage of art making, draftsmen and architects back in Germany. He attended the KC Art Institute’s Continuing Education classes to learn figure drawing and was the winner of numerous KC Star movie poster contests that allowed him to have his illustrated posters hung in movie theaters in KC. For 40 years, Grandpa Zahn was THE fine arts illustrator at Vile Goller with Matthew Monks as art director. He created the UCLA Bruin, the first Chiefs promotional items, tons of liquor labels and ads for companies around the country, logos, designs and was an original “commercial artist” in the advertising world before the age of graphic design. My mom followed his footsteps. I chose to be an art teacher, then use art to help folks as an addiction counselor, and finally embraced that I too, am an artist, showing my work around North America. In the process, I create musical compositions and spoken word or expressive poetry that go with my pieces. I’m working on installations and motion graphic media.
Confluence is about coming together from all different places of origin. Even multigenerational families from KC came from somewhere to get here; to build this place called home. Rivers converge here. Paths and trals converge here. Ethnicities, colors, cultures converge here. It is the land and the water that sustains us. We must remember all these things as we walk in this world and go through meeting each other and as Maurcel Proust says, “see through different eyes” . We are ALL part of the web that unites us and what we do to each other, we do to the all of us.
My most impactful moments in KC have not always been good memories. But the ones I hold on to are being a kid visiting Kaleidescope and the magic of wonder and art supplies. Going out on our small family farm in the Northland of KC and sitting… listening to the wind and the leaves, connecting. I learned that from my dad, my mom and my grandma.
We teach each other. What are you teaching future KC? Discover your origin story through the library’s geneology services, Ancestry.com and the Family Search Center. Listen to your elders stories too.
Listen to the Sounds
It all began with listening to the stories of my ancestors. Searching after, to put puzzle pieces together, exploring the routes they took, listening to the wind on the land they lived on, creating a soundtrack for their lives. This work focuses on the indigenous acestors of my Grandmother (Aninshinabe, Osage, and Eastern Cherokee, Quaker, French, English).